Ephraim Rubenstein

Temples & Cathedrals

The Quickening Image is the story of a radically new drawing technique: It incorporates both wet and dry materials, as well as both linear and painterly elements. It derives its power from juxtaposing and resolving many contradictory tendencies: drawing/painting; wet/dry; careful/spontaneous; planned/accidental. read The Quickening Image The Quickening Image

detailsprice inquiry Kiosk of Qertossa oil on linen

detailsprice inquiry Paestum VI pencil, wax, ink, charcoal, Char-Kole, pastel, Nu-pastel, conte on paper

detailsprice inquiry Paestum V pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Agrigento I pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Cathedral I pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Cathedral III pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprivate collection Cathedral IV pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprivate collection Cathedral V pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Cathedral VI pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Cathedral VIII pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Paestum I pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Paestum II pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Paestum III pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Selinunte I pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprice inquiry Paestum IV pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

detailsprivate collection Selinunte II pencil, wax, ink, char-kole, charcoal, conte, and nu-pastel on paper

“Temples and Cathedrals” is an on-going series of large-scale mixed-media drawings, utilizing the ‘wax resist’ technique. Executed on paper, these black and white works use wax as a resist for subsequent ink washes, which are then further developed in charcoal, […] read Temples & Cathedrals Temples & Cathedrals